On the Streets of Rome
I honestly do not know too much
about the Italian neorealist movement apart from a few Visconti films that I’ve
seen. It’s not a period of film that I ever really dedicated my studies to, but
the neorealist films that I’ve seen so far make me want to do some reading up.
What I do know is that the films that are considered to be of this style deal with
the hardships of the lower social sphere of life in post WW2 Italy, and that
they are stylistically much more somber than what came before them, or what was
even popular at the time. At least that much is obvious.
This is most certainly true of Vittorio De Sica’s “Bicycle Thieves”, which many seem to consider as the signature film of the movement. The film has a very naturalistic feel which certainly comes from its all-amateur cast and the fact that most of it takes place on the busy streets of Rome. The cinematography further elevates this effect in that it has a very fly-on-the-wall feeling, with its mostly locked off and unintrusive shots. Actually the same could be said about the whole production, all the elements are very much designed to accentuate the realism of the scenes.
Which is rather fitting because
the story of “Bicycle Thieves” is not one of epic proportions, so the stylistic
minimalism is a perfect fit indeed. It’s very hard not to sympathize with the
man who is looking for his stolen bike with his son, a bike that basically his
life depends on. The film portrays the poverty of the family and the general
situation in Rome at the time with much compassion - a compassion that
sometimes even spills in to sentimentalism. But luckily even if it does get
overly sentimental at times it never feels dishonest.
Apart from De Sica’s light-handed
direction a great reason for this are the wonderful performances he gets from
his actors. The standout performance for me is the one of the boy, Bruno, which
surely can be considered one of the finest child performances in cinema.
And although all this might sound like a rather tiring film to watch, it really is not. The film has a wonderful pacing and is masterfully executed in its simplicity. The main draw is the journey and the father-son relationship at the center of it, which pays off in spades before the film is over because it’s something that pretty much everyone can relate to.
“Bicycle Thieves” is a wonderful
film. It’s an easy film to recommend because the story is universal and
emotionally engaging. It’s almost uncanny with what effortlessness the film
works its ways and that is just a testament to the mastery behind it. I find it
sometimes odd that the simplest stories of this kind are the most profound, but
that’s how it is. And “simple” and “profound” are two good words to describe “Bicycle
Thieves”.
Original title: Ladri di biciclette
Cast:
Lamberto Maggiorani - Antonio Ricci
Enzo Staiola - Bruno Ricci
Lianella Carell - Maria Ricci
Gino Saltamerenda - Baiocco
Original language: Italian
Bicycle Thieves on IMDb
Original title: Ladri di biciclette
Cast:
Lamberto Maggiorani - Antonio Ricci
Enzo Staiola - Bruno Ricci
Lianella Carell - Maria Ricci
Gino Saltamerenda - Baiocco
Original language: Italian
Bicycle Thieves on IMDb
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